Post Trip to Italy: After Thoughts Part 2 What I learned from Elia Stelluto about Capturing Moments through the Camera LensRead Now
Last blog post, I wrote about my trip to Italy, which took place back in October of the past year. In that post, which I decided to make into a two-parter, I started with my visit to Rome and what stuck with me the most when I was there: the Sistine Chapel. This was important because given the wealth of history behind the chapel and the legacy left behind by Michelangelo, I felt that I'd write about how understanding the skill and technique of the old masters is influential to today's artists.
In this post in which I focus on my time in San Giovanni Rotundo, I'm going talk about what I learned from Elia Stelluto, the famed photographer of San Padre Pio. Padre Pio (1887-1968) who has been canonized a Saint, was a friar, but above all, he was a well known mystic and stigmatist. His body remains uncorrupted to this day and is displayed on public view at a church in the Sanctuary of Saint Pio of Pietrelcina. Throughout the years of San Pio's work, Elia captured the major moments and highlights in his photographs and they have been on display throughout various locations in San Giovanni.
When my family and I finally met Elia and his sister, Maria, we got to see and learn of the many amazing places throughout San Giovanni and more about his friendship with Saint Padre Pio. As someone who specializes in drawing learning from someone who specializes in photography, there were a few new techniques I garnered from Elia that reshaped my creative process that I wanted to cover here in this post.
When we went to go see the stations of the cross, upon trying to get a good photo of each one, he showed me the best ways to take a solid snapshot. Don't hold the camera too close to the subject matter. Don't place it too far either. Keep it steady. If the subject matter is a landscape, position the camera to match the horizontal position. If the subject matter is portrait, set the camera in the upright position. Also, be very observant of the light source. In this case, because this was outdoors, the sun was my light source, so I had to position my camera in the best ways possible so that the sun wasn't blinding nor darkening which station I was taking the picture of.
Although I was using the camera on my phone to take pictures, (which I normally do for snapping real-life examples that I use as references for my illustrative works), Elia encouraged me to be open to the skill and techniques that go into picture taking. Usually when we take photos with our smartphones, we don't normally over analyze how we do it. We see something that catches our attention and want to document it as quickly as possible especially if it's something that is going to move very quickly like a truck with a rare logo or a billboard while on the road, so we just try to capture it right then and there. However, because there are those special moments we want to capture using any kind of camera and even though photography might not be our main focus, learning the basic techniques of photography from Elia got me rethinking the way I take pictures and why. In some cases, I do it to preserve memories and others as reference for my illustrative works. So, even though I don't specialize in photography, learning from Elia's years of experience has restructured my thought process for picture taking and how it complements the work I do. Ever since then, I just take pictures that I know are going to mean something to me when I pull them out again and that they won't just be a blurry clutter for my phone, both figuratively and literally. If it's a subject matter that I'm going to revisit for a project that I'm working on or an important memory I simply want to preserve from my travels that I want to document and show what I've learned from or got out of it, I felt it was a good idea to take advice from someone who knows the craft and experience and then I start using it in even the most simplest of things.
In the end, I really enjoyed my conversations with Elia and getting to know more about his work ethic and process. Although photography is not something I'm considering to pursue professionally, I felt it was very beneficial to learn a thing or two from Elia's craft. In turn, I started to see we are very much alike. Although our mediums are different, as artists, we share the same goal in our art: to tell a good story that will be an inspiration to others.
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