Understanding students can be quite a challenging task for any teacher. On one hand, how does a teacher grant the developing students the right amount of credit in their abilities to learn more advanced subjects and think critically? Another task is how do teachers encourage their students to learn about themselves as unique individuals? Based on my previous studies in early childhood education and how animation in children's shows can engage young viewers in new insights if well written, I feel that these are the two most important questions one would start asking when working with and taking time to understand children. I have mentioned in a previous post how children’s programming can cover such topics in an effective and creative manner. In this blog post, I will be reviewing and analyzing an episode of Arthur and Hey Arnold to answer the two questions I inquire at the start using the developmental theories of Jean Piaget and Lev Vygotsky. The episodes I will be covering are Arthur’s Substitute Teacher Trouble and New Teacher, starting with a synopsis of the episodes and where the theories of Piaget and Vygotsky play an important role.
In the Arthur episode, Arthur’s Substitute Teacher Trouble, Arthur and his best friend, Buster are lamenting how hard the work their teacher, Nigel Ratburn gives them and their fellow classmates. They are both seen exiting the school with a pile of books and papers, which appears to make their homework nights extremely daunting. Breaking a fourth wall, (which often takes place at the start of each episode of Arthur), Arthur turns to the viewer, describing the mountain of homework Mr. Ratburn gives them. He adds as an example how Mr. Ratburn must always make everything into a learning experience, even something as simple as a field trip to the zoo. Buster adds that sometimes he wishes their teacher would just disappear after tripping on a crack in the sidewalk.
The episode proceeds with Mr. Ratburn needing to take some time off due to a sore throat, unable to carry on with the class for the remainder of the day. The school principal, Mr. Haney informs the students their teacher will be absent and during his time off, they will have a substitute teacher. The students are then left wondering who will be filling in for Mr. Ratburn. Later, Mr. Haney informs them that Mr. Ratburn’s sister, Rodentia Ratburn will cover for him, much to the children’s’ dismay in concern that she might be harder a teacher than Mr. Ratburn. The next day, Rodentia introduces herself to the students and it turns out that her teaching style is a far cry from that of her brother’s. The approach she takes is incredibly basic for a 3rd grade level. The subject matters and materials she provides the children is too easy and unchallenging, e.g., reciting the 1x’s table, mixing of colors and narrating in a high-pitched voice while utilizing a puppet. Inevitably, the children find their given tasks boring and look forward to Mr. Ratburn’s return.
When Mr. Ratburn gets back to work, his students celebrate and welcome him back. Without hesitation, Mr. Ratburn begins the lesson of the day, the episode ending with Arthur and Buster delighted by how challenging the assignment is.
This episode adds a new insight into the relationship between Nigel Ratburn and his students. At first, the 3rd class complains that the amount of homework they are given is too difficult compared to what other 3rd grade students from other classrooms are given, (which had been mentioned before in a few episodes prior). Arthur and his friends look at Mrs. Sweetwater’s students and envy how easy going she is on them. It only takes a substitute teacher who fails to grasp how truly capable of learning challenging concepts and subjects that they start to appreciate Mr. Ratburn’s more challenging teaching style. The reason Mr. Ratburn appears to be so strict with the students regarding homework and their studies is because he gives students credit for their capabilities to learn more complex subjects, think critically and problem solve on their own. Those are the types of traits that demonstrate a tremendous sign of respect that a teacher has for their students. Rodentia Ratburn represents an example of a teacher lacking the skills to comprehend what type of curriculum is ideal for the 3rd grade level, which is the main contrast between her and her brother. To delve into more detail, here’s where Jean Piaget’s Cognitive Development theory plays a role in this episode. Between the ages of 0-2 years, children learn to rely on their coordination senses via developing motor skills, which this stage is known as the Sensorimotor stage. The next stage of development is the Preoperational stage, which occurs between ages 2-7 years. During that time, children learn to think symbolically and expand their grammar to communication and describe concepts in full. They also rely on imagination as well as instinct despite their skills in abstract thought still being underdeveloped. Once the students are between the ages of 7-11 years old, the Concrete Operational stage involves thinking more critically and plausibly about concrete ideas as well as understanding in-depth conservation. Even so, the types of games children play together involve rules and problem solving. Last, but not least is the Formal Operations stage, which takes place at age 11 and onwards. By then, students can formulate abstract thought and think theoretically and hypothetically, building up on previous knowledge.
Given the ages of the main student characters in Arthur, eight to nine years old which places them in 3rd grade, their developmental level would be at the Concrete Operational stage. The way that their substitute teacher teaches and talks to the students falls into a strange mix between the later part of the Sensorimotor stage (age 2) and the Preoperational stage (up to 5 years), which is no surprise as the day goes on, the children start to feel disenchanted. Because these are subject matters they already know and understand, Mr. Ratburn’s class realize that the harder a challenge is, the more they can strengthen their skills and build up on previous ones. Perhaps the Brain’s remark “for goodness sake’s, we’re in 3rd grade, you know” to Rodentia Ratburn sums up the scenario best as well as his desire to run home to his computer in desperate need of a challenging activity.
The way that Lev Vygotsky’s theories play a role in this episode is how his theory of Zone of Proximal Development can be applied. To offer a belief overview of what the theory covers, the Zone of Proximal Development (ZPD) is represented in three circles ranking from large to medium to small. The largest circle represents what a child has yet to learn and struggles with doing on his/her own, which is outside the zone. The middle circle, which represents the zone itself, is where the instructors come in to help the child master the skill he/she is trying to learn. It covers what the child can do with help. The circle in the center of the previous ones, which is inside the zone, represents what the child already knows how to do on his/her own. As seen in Arthur's Substitute Teacher Trouble, the students already know all the basic material needed to progress in their skills, but find the more advanced material is too difficult. After Arthur and his classmates endure an entire day without challenging their current knowledge, they are delighted at the end when Mr. Ratburn assigns them advanced math problems and come to fully appreciate his teaching style. What is happening here is that when the students quietly proceed to work on the assignment, they are relying on what they already know. Although we don’t see how well the students perform on the assignment, this would be the time when they will know which areas they have the most hinderance and which areas highlight their forte. From there, it would be the teacher's job to pinpoint where the students need to go back and review upon grading their work, which we see many examples of Mr. Ratburn doing in other episodes.
In the episode of Hey Aronold, New Teacher, the students start their day with an announcement from Principal Wartz informing them that their teacher, Miss Slovak is retiring from teaching to pursue a career in golfing, which the students cheer. They are indifferent, however when they meet their new teacher, Robert Simmons, a good natured, charismatic, compassionate man who is excited to meet the class he will be teaching. Mr. Simmons is seen working with the students utilizing a unique teaching style in which he helps them embrace their own unique qualities. In addition to the curriculum, he even encourages the children to ask the “why” questions. This comes off as rather banal and trite at first, so the class begins to rebel in hopes of getting rid of Mr. Simmons. Once the revolt takes an emotional effect on Mr. Simmons, thus the students successfully eliminate him, the thoughtful and caring instructor is replaced by the ruthless and harsh Mr. Goose, formally known as Lieutenant Major Goose. As his former title implies, Mr. Goose’s teaching style is similar to that of drills that suit the army. It ends up taking a toll on the students’ wellbeing, making them realize how much Mr. Simmons genuinely cared and respected them as individuals. They remedy the situation by going over to Mr. Simmons’ house to apologize. Although he is skeptical at first, the students go out of their way to show they are truly remorseful. They even take the time to demonstrate their appreciation for him as a teacher and a person by taking the lessons he taught them so far and showing how he has helped them grow. Mr. Simmons is deeply moved by the students' display of kindness and wants to be their teacher again. Before Mr. Simmons officially returns, Arnold and his classmates challenge Mr. Goose with a bombardment of ‘why’ questions, causing the lieutenant intense anxiety and quitting the job. The episode ends with the entire class welcoming Mr. Simmons back and then spending a sunny afternoon on a field trip.
This episode of Hey Arnold shares some similarities to the episode of Arthur mentioned early on. Both Mr. Simmons and Mr. Ratburn have different teaching styles, yet both these characters are seen utilizing unique methods. What they also have in common is that they both encourage their students to think more critically than they normally would. Mr. Ratburn assigns tasks that advance his students' previous knowledge to the next level and Mr. Simmons encourages the 'why' questions, which are perhaps amongst the most important traits any teacher could have. At first, their students wish their situations were different because they do not see the benefits of the ways in which their teachers teach, but once they see the alternative, the latter encourages them to appreciate the former. Although Rodentia Ratburn and Mr. Goose are not the same personality wise, they both represent teaching methods that do a major disservice for child development, one being on the softer extreme of the spectrum and the other being on the rougher extreme.
The aspects in which Jean Piaget’s developmental theories can be applied to New Teacher from Hey Arnold would be to evaluate the third stage of cognitive development, Concrete Operational as brought up earlier. Because the main characters of Hey Arnold are around the same age as the ones from Arthur, Arthur’s class being in the third grade and Arnold’s class in the fourth, we see examples of where the students are put in positions where they cover concepts and apply them to concrete scenarios. At that age, aside from learning basic math as a foundation (academics), we see examples of how the children question their own thinking and evaluate their own ideas as well as understanding others. We also see that the characters from Hey Arnold learn how to deal with their everyday stress through critical thought and putting things in perspective. The reason Mr. Simmons’ teaching approaches surpass what an overtly strict teacher does is because the more anxiety inducing the learning environment becomes, the less the student is able to put things into perspective. Worse yet, the less the learning environment leaves little to no room for the student to examine their own thinking and that of others, the less critical their understanding becomes and thus their further development is stifled.
The way in which the theories of Lev Vygotsky can be highlighted in this episode is that the viewer sees that the students are already capable of thinking on a standard academic level. Before Mr. Simmons became Arnold and his classmates’ new teacher, the students already abide by the standard techniques taught by their previous teacher, Miss Slovak. After her departure, the role Mr. Simmons represents is one that genuinely respects the students’ capabilities as to how understanding themselves as individuals helps them academically and in life in general, that he goes out of his way to inspire and encourage them to reach their full potential. The circle outside the Zone of Proximal Development, (what the learner can’t do on his/her own), in this case would be that the students haven’t learned how to think more abstractly and outside the box, let alone ask themselves the ‘why’ questions. With Mr. Simmons’ assistance, the children learn how to develop this important and often sidelined skill. On a side note, Hey Arnold creator, Craig Bartlett stated in an interview why Miss Slovak was replaced. “She was too much of a caricature. That seemed a little bit too simple – it wasn’t smart enough. What if we put, instead, a great teacher who really cares about the students and is just full of passion?” Bottom-line is that Mr. Simmons is the type of character that best depicts how individual and critical thinking would be applied to Lev Vygotsky’s Zone of Proximal Development and the viewer sees examples as such when contrasting him to other teacher characters like Miss Slovak and Mr. Goose. Going back to Mr. Goose, we see he is too far to an extreme that he leave absolutely no room whatsoever for open discussion.
It’s seldom to see that many children’s programming cover a topic as what defines a good teacher who truly respects their students with regards to their capabilities and individuality. Even so, such qualities are hard to come by with real life teachers. The most important questions teachers might often ask themselves is are they giving the students enough credit for what they can do as independent thinkers and advance in their skill level and are they being respected and encouraged as individuals? Children’s programming such as Arthur (which is geared towards edutainment) and Hey Arnold have had writers on the shows who took the time to study the issues kids face and how they properly confront the situation through teamwork and problem solving. For this blog post, I just examined an episode from both these shows that best covered how a teacher demonstrated genuine respect for their students and describing how the child developmental theories of Jean Piaget and Lev Vygotsky play a role. In the episode of Arthur, Arthur’s Teacher Trouble, the students feel that the homework their teacher, Nigel Ratburn gives them is too difficult and stressful. At first, they don’t realize how his teaching style benefits them in contrast to their fellow third grades from the other classrooms. Upon enduring an entire day with the unchallenging and over simplistic, Rodentia Ratburn, the students begin to appreciate Mr. Ratburn’s approaches and how it challenges their academic skills. The episode of Hey Arnold, New Teacher marks the introduction of Mr. Simmons, who has a unique way of teaching his students, which Arnold and his classmates fail to appreciate and understand how it advances their development. It took an overtly strict teacher for them to realize how being able to think critically and philosophically improves their well-being, a trait that their previous teacher lacked as well.
If more teachers take time to get to know their students' strengths and weaknesses in academics and in creative thinking, even so find ways to advocate for students to reach their full potential in both those areas, it will make a whole world of difference in a child's life. Students will garner more confidence in their capabilities and understanding themselves as individuals will even spark a greater desire to continue learning and growing.
Photo credit: Larry Estes
Last July, I wrote a blog post about Cool and Eclectic, a store located inside the Pembroke Mall at Virginia Beach. It's one of those rare and unique stores where you can come across all kinds of neat nostalgic items and find yourself exploring their selections for hours on end. I interviewed Mark and Diana for last year's post about the store and while it's been relocated in a new space at the mall, the variety the store offers continues to flourish and deliver on its slogan, "Where it is Usual to Find the Unusual".
This year's trip was an extra special treat. As part of a continuing series of giveaways, Cool and Eclectic was giving away prints of an original comic strip, Artchilles, illustrated and signed by store owner, Larry Estes. The story is about a Virginia Beach native who works at a factory owned by Kempsville Building Materials. As he continues to work there, he desires to keep his artistic dream afloat and goes out of his way to keep it alive, so he takes on the journey of the individual and puts his salvaged drawings together, revealing his story. I spent an afternoon chatting with Larry about the project and the themes he explores via its narrative and its imagery. The character, Artchilles reflects the journey Larry experienced (and continues to experience). We see that Artchilles takes a series of drawings, pieces them together like a puzzle and thus, we see his journey take shape. As stated by Larry himself in his video, Drawings Survive to Tell a Story, he is "piecing together this extraordinary journey, using copies of actual drawings from the journey to authenticate its unfolding". Through mixed media, Larry goes from a standard illustrated page, which is crafted similarly to that of the classic comics of the 1950's and 1960's and then on the next pages, he incorporates the copies of the drawings into some of the panels and arranges them to match the narration. For example, on page 2, we see a copy of each drawing laid out with one flat in the center of the first panel. The perspective of the ones on either side of the drawing are morphed to appear facing inwards. They are apparently going into the direction of the one in the center and all together, they are close to fading into a black hole. The letter boxes in yellow are from the narrator's perspective while the ones in white delve into what Artchilles is thinking. "Initially, Artchilles created sketches of random subjects he was to make into large paintings..." the narrator highlights. "[B]ut, as the prospect of acquiring a studio grew dim, drawing took over. Focus turned to his own life." The use of perspective in a panel painted pitch black accompanies this narration so effectively, especially with Artchilles' own words below the drawing in the center saying, "I yearned to paint..." The sentence is incomplete as if fading into the abyss along with the drawings. It highlights the sense of being on the brink of obscurity.
The next panel is a close up of the drawing on the right hand side, focusing on Artchilles' narration: "But the brush kept eluding my grasp". The drawing depicts the brush falling out of his reach as a foot steps on his hand. An onomatopoeia that reads crunch! is belted, all together demonstrating how limited in his options Artchilles really is.
In the third and final panel of the page, the narrator describes the monotony Artchilles is locked into. With six drawings of a man boxed in lined up in a perspective that gives the illusion of ascending forward, towards the reader's right hand side and descending into obscurity looking into the left, we see the repetitive nature of the job. Even so, Artchilles' words above the drawing facing the viewer boldly say "I Was Stuck!" This use of perspective fittingly gives the sense of endlessness.
Onto the next page, which as the title implies, "Taking the Leap", Artchilles does precisely that. He is seen surrendering and then dives into the unknown. Afterwards, he sees a vision of a muse, who guides him to his desired destination. When delving into the significance of this page (and the entire story at large), Larry offers a question that prompts readers to ponder for a moment over what might be holding them back from seeking his/her own journey: "Have you ever seen a more poignant expression of that pivotal moment before taking the leap? With arms raised, you have surrendered to the unknown". With that said, the third page not only serves as a rising action, but it also invites the readers to assess a time when he or she was confronted with such a moment. And if they haven't already done so, it encourages them to seek it. As Artchilles raises his hands to the sky before taking the plunge, the text in the yellow boxes is no longer written from the third person perspective. It transitions to Artchilles' point-of-view as if he's finally taking control once again. The next page depicts how Artchilles fares trying to balance out his work at the factory and listening to the muse, which eventually results into a sudden halt. It is then revealed in a typed text in yellow boxes that he conceived this series of drawings thirty years ago while he was still working in the factory, which eventually became a homeless center. With the old drawing board destroyed, Artchilles then resorted to using invoice paper to illustrate on. Below the drawing of the building, we see a real-life sample of the invoice paper.
The fifth page depicts Artchilles gradually freeing himself from the grip of the factory work. Although its a very small start, it serves as a spark to grow and flourish. All he has at this point is a brush and coffee. From there he lets his inner individual out as much as he can, but realizes he needs more to continue that journey of growth. "Duality continued to manifest. The path was filled with ups and downs. I needed more than a brush..." This gets us to think that while we are maintaining the endless cycle of monotony without taking the time to seek out our individual journey, eventually the desire to seek it starts to break through in some form or another. We may not be aware of it at first, but when we become too accustom to a routine, somewhere in the corners of our minds we are called to seek beyond that repetitive nature and consult every means possible to fulfill our individual journey and find who we truly are to reach our true potential.
Taking a moment to step back, the story of Artchilles is indeed the story of Larry's own journey. It's told in ways that simple words could not express. Through its imagery, the way mixed media is utilized and how text accompanies and plays into the narrative in unison showcase the journey. It's true that it's highly difficult to make art a full-time career and it's important to obtain a good paying job, but at the same time, being so caught up in an endless cycle where you function like a factory machine without any time for self-reflection whatsoever is detrimental. It will eventually lead to that craving for self-reflection. The desire to seek the individual journey, whether we are 100% aware of if or not will gradually make its way to our conscious mind and when the timing is right, we will seek our own journey of self-discovery tenfold. Taking such a concept into account, even as you go about your everyday life, I highly encourage you to take the time to reflect on your own journey. When you have some time free of monotony (and distraction), think of something that is inspiring to you or something you've written or pieces you've made that can be put together to tell a story. Experiment with those ideas and see what kind of story unfolds. That there is the road to discovering your journey as an individual.
Once again, huge thanks to Larry for his time and sharing his work with me. To learn more about Artchilles and Larry's other works, check out his website and his Instagram.
To learn more about Cool and Eclectic, visit their Facebook page.
Toys 'R' Us May Be a Thing of the Past, but the Toy Industry and Play Will Always Be Relevant, Especially for the Creative Minds of TomorrowRead Now
After 70 years of being known as the ultimate go to toy store for decades, Toys 'R' Us has finally closed its doors permanently in the United States. Years of fierce competition from Wal*Mart, Target and (not surprisingly), Amazon, leading up to a Chapter 11 bankruptcy in September of 2017 and then Chapter 7 bankruptcy in March early this year, the company hit too many hard times to stay afloat. As of June 29th, all Toys 'R' Us locations are completely vacant, leaving a behind a few traces of what once was.
Aside from the failed business plans that lead to the chain's demise, some people often fault smartphones, iPads and other such gadgets for the downfall. When asking your friends what was the main reason Toys 'R' Us liquidated, the common assumption is that kids don't play with toys anymore. All they want for Christmas and for their birthdays these days are just technological devices. While there is some truth to that assumption, it's not entirely true! Childhood is indeed, very different in the 2010's than it was in decades prior and with the rise of smartphones dominating the market, it's no surprise today's kids are so tech savvy. However, this was not precisely the reason Toy 'R' Us went the route it did. In his video, Welcome to Rotting Acres Mall!| Episode 12: Talking about Toys R Us & Catastrophe! (mild profanity warning), Retail Archaeology briefly discusses what really sank Toys 'R' Us, debunking the 'kids don't play with toys' assumption. Between 24:21 to 26:09, he highlights that the company "was bought with a leverage buyout" where "somebody takes out a huge loan to buy Toys 'R' Us and then uses Toys 'R' Us, the company, as the collateral for the loan". Because of the $5 billion debt, Toys 'R' Us could't afford to payback and recover. Retail Archaeology also pin points that had Toys 'R' Us been in better shape when the minor drop in sales happened, "they would have survived that dip". For more information about Toys 'R' Us' financial issues, I highly recommend checking out Jake Williams' (Bright Sun Films), Abandoned - Toys R Us.
With the 'kids don't play with toys anymore' myth debunked by Toys 'R' Us' financial history, it's safe to say that there is still a market for toys, especially with the K B Toys revival taking place this Christmas and holiday season and that Party City is planning to open their own toy store, both of which will be pop up stores. Even so, small and/or independent toy stores are still thriving. But even if it's true that there is a growing trend in smartphone and iPad use among children, that also doesn't mean play is not important anymore. If anything, play has always been and always will be a major part of children's growth.
On Fisher-Price's official website, Child Development and Play Specialist, Kathleen Alfano, Ph.D. lists 10 tips about the importance of play. Examples of such consists of how children learn about themselves and the world around them, develop social skills, and practice different roles as they play. In terms of how play impacts creativity, Alfano also pinpoints that "[p]lay, simulates and enhances creativity and imagination" as well as that it encourages children's curiosity and attention to flourish. It also "is the integration of language, social, cognitive, imaginative and physical skills". But above all, play "fosters self-esteem, self-direction and values". When children play, they are able to create a story and scenario with a tangible object. As they interact with the toy, they input a personality and characteristic on it. Children act out a scenario based on everyday life and what is interesting to them. In the process, they are able to problem solve because they are encouraged to think critically. This gives them the desire to learn more outside of their comfort level. It's that type of attitude that inspires artists as artists are always expanding their knowledge and creative skills. In fact, children who play become more immersed in the arts. Even so, just as artists have a set of values and self-awareness that they showcase through their works, when children play, they learn that the most important thing to live by are a good strong set of values. It is important for them to develop self-confidence and with that mindset, they start to understand what defines good solid principles.
European scientist, Jean Piaget (1896-1980) once said how play is significant to a child's growth as highlighted by University of Amsterdam graduate, Alexander Burgemeester in his essay, Jean Piaget's Theory of Play. The selected quote by Piaget goes as follows:
"Our real problem is ̶ what is the goal of education? Are we forming children that are only capable of learning what is already known? Or should we try developing creative and innovative minds, capable of discovery from the preschool age on, throughout life."
The four developmental stages of intellectual development named by Piaget were sensory-motor, pre-operational, concrete operations, and formal operations. Throughout the child's early years before adolescence, which is the formal operations stage, the first three are the building blocks, leading up to the stage when the child is a teen, capable of critical thinking. The sensory-motor stage, which is during the infant to toddler years, is when a child is aware of his/her senses. During the years prior and going into the early elementary years (pre-operations), children begin to grasp the concept of symbols. They learn that symbols, words, objects, etc. have a meaning behind them. Due to the limits of their knowledge and imaginations, they start to ask more questions based less in the 'what' and more in the 'why'. In the concrete operations stage, which lasts throughout much of the remainder of elementary school, children build on what they had learned in the previous years, learn how to take items and work with them in a logical manner. Upon reevaluating Piaget's theory, in order for children to develop and exercise their knowledge and imaginations, play needs to be encouraged. As Burgemeester concludes his essay, he indicates that "because assimilation and accommodation take time, the period a child remains in each stage is controlled by their own cognitive development, not that of a teacher or parent". That means that as children age, parents and teachers can benefit from Piaget's theories as an important guideline. Children need to receive the 'most appropriate 'play'...at each stage or sub-stage to help them progress to the next', otherwise they will fall behind in their growth.
Finally, another point that Alfano emphasized on Fisher Price is one that relates to a child's use of a physical object and how it helps their coordination skills. What happens as children play, their "perceptual-motor skills (fine and gross, such as eye-hand coordination and balance)" advances and so does their "strength and coordination". When children work with tangible objects, they are learning how to properly interact with them and strengthen the grip of their hands and their abilities to observe how things function. Thus they learn how to effectively work with items they pick up.
While the mega toy chain may be gone, the toy industry and the importance of play will always be relevant. With modern business models making an attempt to adapt to today's rapidly evolving market in this retail apocalypse era, there's still a demand for the toy industry. Independent local toy stores are still thriving in today's world and major retailers and business people continue to find new ways to reinvent the business model. In addition, even if kids today are immersed in today's technologies, an iPad or smartphone app is not necessarily a good substitute over something tangible. Psychology demonstrates this point time and time again that children do benefit a great deal from play. As children play a made-up game together that involves team work or a child is building a tower with legos, they are letting their capabilities to think critically flourish and restructure and apply their knowledge to everyday life. When they play, they are developing their social skills, learning about the world around them, extending their curiosity and nurturing their imagination. From playing, they benefit from it physically, grow in self-esteem and develop a sense of values. The theories conducted by Jean Piaget also demonstrate how such interactions with tangible objects are advantageous in the long run and therefore, significant to children's growth and well-being. As today's technologies continue to advance, drawing more attention from its users with the abundance of apps, children shouldn't be limited to their screens only. They should be offered more options to expand their horizons and explore possibilities they might not have thought of before. By encouraging play and reinventing the toy industry to suit those values and knowledge, we are encouraging the creative minds of tomorrow's thinkers to flourish and reach full potential. Although the doors have closed for the iconic retailer, one could peer into an empty Toys 'R' Us building and see either of two things: An empty shell that signifies demise of childhood as we know it or a new door will open with endless options and new opportunities to innovate.
Ever (re)discovered new facts about any art form or part of pop culture that you thought you knew before and realized there might be more to the story than what meets the eye? The Blog section debunks common expectations and assumptions in the art world.